Select a show/client
- Atlantic Theater Company
- Bella Bella
- The Best We Could (a family tragedy)
- Broadway Cares Equity Fights AIDS
- Cambodian Rock Band
- David Byrne’s American Utopia
- Fires in the Mirror
- Harry Potter and the Cursed Child
- The Height of the Storm
- The Hot Wing King
- How I Learned to Drive
- The Illusionists - Magic of the Holidays
- In Residence On Broadway
- Jersey Boys
- The Lightning Thief
- Manhattan Theatre Club
- Mean Girls
- Moulin Rouge! The Musical
- Mrs. Doubtfire
- My Name is Lucy Barton
- The New Englanders
- The Perplexed
- The Play That Goes Wrong
- Poor Yella Rednecks
- Signature Theatre
- Twilight: Los Angeles, 1992
- The Wanderer
- The Young Man from Atlanta
With his business partner Adrian Bryan-Brown, Chris has represented over 400 plays and musicals which have won 222 Tony Awards and 11 Pulitzer Prizes (a list of the Broadway shows can be found at www.ibdb.com). For 16 years Chris served as Disney Theatrical Productions publicist and public relations strategist launching Disney on Broadway. For seven years, Chris represented The Book of Mormon. Chris serves on the Steering Committee for Broadway Cares/Equity Fights AIDS, is an adjunct professor at Columbia University's Oscar Hammerstein II Center for Theatre Studies, and is on the board of the Atlantic Theater Company. Chris leads the media training team at BBB working with entertainment, corporate and private clients.
Adrian is a proud member of the Association of Theatrical Press Agents and Managers for more than 20 years. With his business partner Chris Boneau, Adrian has represented over 400 plays and musicals which have won 222 Tony Awards and 11 Pulitzer Prizes (a list of the Broadway shows can be found at www.ibdb.com) and consulted on productions around the world. He has taught theatrical public relations as an adjunct professor at Brooklyn College and is married to the theatrical photographer Joan Marcus.
Melissa Cohen joined BBB in 2015 after interning with the company back in 2011. In the four years in-between, Melissa worked at Type A Marketing where she represented various touring Broadway productions. Melissa currently represents Jersey Boys, King Kong, Moulin Rouge! The Musical and Manhattan Theatre Club at BBB. Previous productions include An American In Paris, Bandstand, SpongeBob SquarePants, Sweeney Todd and The Encounter. Originally from Rockville, Maryland, Melissa holds a BS degree in Media, Culture and Communications from New York University.
Michelle Farabaugh joined BBB in 2012. She currently represents David Byrne's American Utopia, The Illusionists, The Lightning Thief, Mean Girls, Audible Theater productions at the Minetta Lane Theatre, and Manhattan Theatre Club's slate of Broadway and off-Broadway productions. Past clients include the Tony Award-winning The Ferryman, A Bronx Tale, Groundhog Day, Something Rotten!, Deaf West Theatre's Spring Awakening, Motown The Musical, and MTC productions including August Wilson's Jitney, Heisenberg, the Pulitze Prize-winning Cost of Living, Incognito, and Constellations. She is a Pittsburgh native and graduate of Villanova University. The first show she ever saw was Annie at Pittsburgh CLO, and the first show she worked on was Annie on Broadway.
Jackie Green has worked at Boneau/Bryan-Brown since its founding and represents or has represented shows including (in alphabetical order): Aida, Groundhog Day, Guys & Dolls, Hugh Jackman: Back on Broadway, Matilda, Once On This Island (revival), Penn & Teller both on and off-Broadway, Puppetry of the Penis, Spring Awakening (Deaf West revival), STOMP, Stones in his Pockets, The Audience, The Boy from Oz, The Play That Goes Wrong, The Ferryman, Mike Birbiglia’s The New One, The Lion King and Waitress. She is a graduate of the University of Pennsylvania.
Amy Kass joined BBB in 2006. She currently represents Manhattan Theatre Club, In Residence on Broadway and FLEABAG. Amy has opened over 70 shows including SpongeBob SquarePants, Sweat, Hedwig and the Angry Inch, Pippin, Once, Disgraced, Anything Goes, 33 Variations, Million Dollar Quartet, The Heiress, A Night with Janis Joplin, Bye Bye Birdie, Harvey, Sunday in the Park with George and Sondheim on Sondheim. The first show she ever saw was the tour of Bye Bye Birdie (starring Tommy Tune), the first Broadway show she saw was Phantom of the Opera, and the first show she worked on was Roundabout’s revival of Heartbreak House. Amy is a graduate of NYU.
Imani Punch joined BBB in 2017 after interning with the company in 2013. Imani previously worked at Rubenstein in the Entertainment & Lifestyle division where she worked on a diverse group of clients including the Tribeca Film Festival, Refinery29, and film campaigns with Lionsgate & Focus Features. Imani currently represents The Play That Goes Wrong, Signature Theatre and Atlantic Theater Company. Past clients include the Tony Award winning production of Once On This Island, Gettin' The Band Back Together, Signature Theatre’s Thom Pain, By The Way Meet Vera Stark, and Atlantic Theater Company’s Fireflies, Hangmen, The Homecoming Queen. Imani has a BA in Dramatic Literature, Theatre History, and The Cinema from NYU.
Heath Schwartz currently represents Chicago, Harry Potter and the Cursed Child, Mean Girls, Signature Theatre, Broadway Cares / Equity Fights AIDS and the upcoming Broadway premiere of the musical phenomenon Six. He has represented the Broadway productions of Jersey Boys, Les Liaisons dangereuses, The Elephant Man,Living on Love, Pippin, The Heiress, Nice Work If You Can Get It, Stick Fly, Follies, The House of Blue Leaves, The Motherf**ker With the Hat, Fences, Next Fall, A Little Night Music and Shrek The Musical. Other Broadway credits include Is He Dead?, The Farnsworth Invention, Frost/Nixon, The Year of Magical Thinking, The Lieutenant of Inishmore, The Drowsy Chaperone, Doubtand various Manhattan Theatre Club productions including Mauritius, Shining City and Rabbit Hole. He also represented the celebrated Tooting Arts Club production of Sweeney Todd at Barrow Street Theatre. Heath is a Texas native and graduate of Baylor University. He currently serves on the Board of Governors for ATPAM - the Association of Theatrical Press Agents & Managers.
Susanne Tighe has been with Boneau/Bryan-Brown since 1991. Current productions include Jersey Boys, King Kong and Moulin Rouge!. Past shows include A Behanding in Spokane, A View From the Bridge, An American in Paris, Anna Christie, 42nd Street, God of Carnage, Footloose, How To Succeed in Business Without Really Trying, Lonesome West, No Man’s Land & Waiting for Godot, Our Country’s Good, The Curious Incident of the Dog in the Night-Time, The Lieutenant of Inishmore, The King and I, The Music Man, The Who’s Tommy, Titanic, and the Off-Broadway productions of The Tricky Part and The Night Larry Kramer Kissed Me. The first Broadway show she ever saw was Deathtrap and the first Broadway show she ever worked on was Sherlock's Last Case with Frank Langella.
Angela Yamarone joined BBB in 2018 after interning with the company in 2017. She currently represents Harry Potter and the Cursed Child, Waitress, Chicago, Fleabag, Atlantic Theater Company and Audible Theater productions at the Minetta Lane Theatre. Past clients include Head Over Heels, Smokey Joe’s Cafe and Audible's Girls & Boys and Sakina's Restaurant. Originally from the San Francisco Bay Area, she has a BA in Communications and Media Studies from Fordham University.
Scott joined BBB as Business Manager in 2019. He has an MBA from Baruch College and spent seven years as the Accounting Manager at Matt Murphy Productions / Marquee Merchandise. Scott sings with the Stonewall Chorale and serves on the Finance Committee for Judson Church, one of the original homes of Off Off-Broadway Theatre. At Judson, he has helped produce Christmas Rappings and The Bonus Army, both by Al Carmines.
Amanda has been at Boneau/Bryan-Brown since 2011. In addition to her administrative role, she heads BBB's social media division and provides live coverage of press events and opening nights. Amanda is an NYU graduate with a degree in Dramatic Literature, Theatre History, and the Cinema.